A Love Letter from the Lineage

HathorThe Golden One

say HATH-or · Hwt-Hor, the House of Horus · Lady of Dendera · Mistress of Turquoise

Goddess of joy, music, love and the sky · the Golden One · the one who brings the laughter back

Beloved Golden One,

I forgot how to be delighted, beloved. I did not notice it leaving.

Grief does that. So does carrying everyone. The days fill up with the necessary things, the phone calls and the lists and the hard conversations, and somewhere in there, music stops being something I listen to and becomes background noise. Dancing becomes something other people do. Laughter becomes something I perform so that no one worries.

And then I met you. The Golden One. Goddess of music and dancing and love and drunkenness and joy, crowned with a cow's gentle horns and the sun between them. A goddess whose priestesses shook rattles and sang. A goddess whose whole temple was built for celebration.

I thought, at first, that you were too light for me. That a goddess of joy could not understand a heart like mine, so heavy for so long.

Then I learned that you were also the one who met the dead. Lady of the Sycamore, waiting in the shade of a tree at the edge of the desert, holding out water and bread to every soul who arrived tired from the journey. You know grief. You simply refuse to let it be the only thing.

And I learned that once, when the great sun god sulked and turned his face away and refused to go on, it was you who came to him and made him laugh, and the world began moving again.

So I have come to you, beloved, with my hand on my heart and a lotus in my hand. Teach me to laugh again. Teach me that joy is not a betrayal of what I have lost.

I

Her Storythe golden one

Hathor was one of the most beloved goddesses in all of ancient Egypt, worshipped for well over two thousand years. Her name, Hwt-Hor, means the House of Horus. She was the sky itself, the house in which the falcon god of the sun lived and flew.

She was often shown as a woman wearing a crown of cow's horns with the sun disk resting between them, as in the image at the top of this letter. Sometimes she appeared as a cow herself, gentle and great, or as a woman with a cow's ears. The cow, for the Egyptians, was the image of tender, nourishing motherhood, and Hathor was a mother to kings, who were sometimes shown drinking milk from her.

She was the goddess of joy in all its forms: music, dancing, love, beauty, celebration and the pleasures of the body. Her worshippers shook the sistrum, a sacred rattle whose metal discs shimmered like rustling papyrus, and the menat, a heavy beaded necklace that chimed as it moved. Egyptian love songs call on her as the Golden One, and lovers prayed to her for luck.

She was also a goddess of turquoise and of faraway places. In the mountains of Sinai, where the Egyptians mined turquoise, they built her a temple at Serabit el-Khadim and called her the Mistress of Turquoise.

And she was a goddess of the dead. In the cemeteries of Thebes, she was the Mistress of the West, the land of the setting sun where the dead were buried. As the Lady of the Sycamore, she was pictured in the branches of a great tree at the edge of the desert, pouring out water and holding out food to the souls who arrived there, tired from their journey. The goddess of joy was also the first kind face the dead would see.

There is an old Egyptian story, the Contendings of Horus and Seth, in which the gods argue in court for years. At one point the great sun god Ra, insulted and weary, leaves the court, goes to his tent, and lies down alone, refusing to go on. The whole order of the world is stalled.

Then Hathor comes to his tent. With a bold and playful gesture, she makes him laugh. And the sun god gets up, returns to the court, and the world begins moving again.

Sometimes the most sacred thing anyone can do is make someone laugh again.

Hathor's great temple at Dendera still stands, one of the best preserved in Egypt, with a painted ceiling of the sky goddess Nut and the stars stretched across it. Every year her statue traveled by boat up the Nile to Edfu for the Festival of the Beautiful Reunion, to visit the temple of Horus, with music and feasting all along the river.

She was even part of the story of Sekhmet. In the Book of the Heavenly Cow, it is Hathor who is sent out as the Eye of Ra, and who becomes the raging lioness, until she drinks the red beer and returns home gentle. Egyptians remembered that story in a festival of music and celebration, as if to say: the fierce one and the joyful one were never far apart.

In the image at the top of this letter, she floats on golden water among lotuses and hibiscus, her eyes closed, a lotus glowing in the hand over her heart, a gentle cow resting its head against her shoulder. A golden harp and an ankh drift nearby. She is not working. She is not carrying. She is simply delighted.

II

Her Symbolismwhere to find her

The horns and the sun

Her crown: a cow's curving horns, with the golden disk of the sun held between them. The gentle and the radiant, together. You do not have to choose between being soft and being bright.

The cow

For the Egyptians, the cow was nourishment, patience and tenderness. A cow rests against her in the image above. Many modern astrologers connect Hathor with Taurus, the bull, the sign of earthly pleasure; that link is modern, but it is a lovely one.

The sistrum and the music

Her sacred rattle shimmered with a sound like wind through papyrus reeds, and her priestesses sang and danced in her temples. A golden harp floats beside her in the image above. In your life she is every song that makes you move before you decide to.

The mirror

Egyptian mirrors were polished bronze, and many had handles shaped like Hathor's face. She was the goddess of beauty, and of looking at yourself with delight. Look into the mirror today as she would: kindly, and glad to see you.

The sycamore

Lady of the Sycamore, offering water and bread in the shade to the weary dead. In your life she is every friend who brought food after a funeral, every shaded bench on a hard walk, every kindness offered to someone who has come a long way.

Turquoise

Mistress of Turquoise, the blue-green stone of the Sinai mountains, the color of sky and water. Turquoise and gold gleam in her collar in the image above. Wear something that makes you feel radiant.

The lotus

She holds a glowing lotus over her heart in the image above. The lotus opens in the morning light. Joy, too, can open again, even after a long night.

The joy-bringers

She is with everyone who has made a grieving friend laugh, played music at a bedside, danced in the kitchen on a hard day, or simply refused to let sorrow have the last word. And she is with everyone who has forgotten how to be delighted, and is learning again.

III

An Intentionletting joy back in

When you sit with Hathor, the question is not am I allowed to be happy.

The question is: where has joy been waiting for me, and what would it take to let it back in?

Hold this gently. After grief, after long seasons of carrying others, many of us feel guilty when joy returns. As if laughing means we have forgotten. As if delight is disloyal to the ones we have lost.

Hathor knew the dead. She met them under the sycamore tree with water and bread. And she was still the goddess of music, dancing and love. Grief and joy lived in the same goddess. They can live in you too.

Set the intention this season to let joy back in, a little at a time. One song. One dance in the kitchen. One evening with people who make you laugh.

And here is the deeper invitation: let joy be sacred, not frivolous. In Hathor's temples, music and dancing were prayers. Delight is not the opposite of devotion. It can be the heart of it.

The sun god laughed, and the world began to move again. So can yours.

IV

A Visualizationthe river of gold

Find a comfortable place to sit or lie down. If you like, play soft music with no words. Place one hand over your heart. Close your eyes and breathe slowly.

You are lying on warm, golden water, floating easily, the way you might float in a calm pool on a summer afternoon. Sunlight sparkles across the surface. Lotus flowers drift around you, pink and white, and the air smells faintly sweet.

Somewhere nearby, you hear music: the soft shimmer of a rattle, the plucked notes of a harp, a woman's voice humming a melody you almost recognize.

You turn your head and see her floating beside you, crowned with golden horns and a sun disk, her dark hair spreading through the water. A gentle cow rests its head against her shoulder. Her eyes are closed. She is smiling.

She does not ask you what is wrong. She already knows. She simply hums, and the music moves through the water into your body.

You notice your shoulders softening. Your jaw unclenching. Something in your chest that has been tight for a very long time begins, just a little, to loosen.

Then, unexpectedly, you feel a smile. Maybe it is only at the corners of your mouth. Maybe it is a small laugh, rising up out of nowhere. Let it come. She has been waiting for it.

She opens her eyes and looks at you, delighted. She places a glowing lotus in your hand. It is warm, and light, and it smells like summer.

You remember, she seems to say. Joy was never gone. It was only resting.

Float as long as you like in the golden water, with the music and the lotus and the warm light. When you are ready, feel your hand on your heart, feel the floor beneath you, take a long breath, and open your eyes, still smiling if you can.

V

An Invocationto speak aloud

Hathor's temples are long quiet, though she is honored today by some modern Kemetic practitioners. Speak this aloud, and if you feel like it, sing it.

Hathor, Golden One, Lady of the sistrum and the dance, Lady of the sycamore, who gives water to the weary: I call you to this room. I call you to this heart, the one that forgot how to sing, the one that has carried so much it stopped expecting delight. Come with your music. Come with your rattle and your laughter. Remind me that joy is not a betrayal of my grief, that I can hold them both, the way you did. And when I sulk in my tent, turned away from the world, come to me as you came to the sun, and make me laugh, and set my days moving again. Golden One, I am ready to be delighted. So it is. So it is. So it is.

VI

A Ritual in Her Honorthe rattle and the mirror

You will need · tick as you gather

IThe Setting

Put the flower in its glass of water where you can see it. Fill your jar with a spoonful of dry rice or lentils, and screw the lid on tight. This is your sistrum, Hathor's rattle.

Place a hand over your heart and say: Hathor, Golden One, I have come to remember joy.

IIThe Rattle

Shake your rattle gently, in a slow, steady rhythm, for a minute or two. Listen to the sound, like wind through reeds.

Egyptians shook the sistrum to please the goddess and to drive away sorrow. As you shake, imagine the heaviness in you being shaken loose, just a little.

IIIThe Dance

Play your song. Move to it, any way your body wants to. Sway. Tap your foot. Dance in the kitchen. Shake your rattle along with it. No one is watching, and no one needs to.

If you cannot stand or dance today, move your hands, your shoulders, your head. Any movement made in delight counts as dancing.

IVThe Mirror

When the song ends, catch your breath and look into the mirror. Look the way Hathor would look at you: warmly, and glad to see you.

Say to your reflection: You are allowed to be delighted. Joy is not a betrayal of anything you have lost.

If that feels hard to say, say it anyway, and notice what happens.

VSweetness

Enjoy your sweet treat or juice slowly, as an offering to the Golden One and a gift to yourself.

Then write in your journal: Three things that delighted me this week, however small. And: One joyful thing I will do on purpose in the next seven days.

Keep your rattle somewhere you will see it. On heavy days, give it a shake.

Keep your homemade rattle closed tightly, and out of reach of pets and small children, since dried rice and lentils can be a choking hazard. Choose a pet-safe flower; roses and tropical hibiscus are gentle choices, and avoid lilies. Choose juice or a sweet treat rather than alcohol, and keep chocolate and sugar-free sweets away from pets. Dance only in a way that feels safe for your body, with clear floor space. And if joy has felt out of reach for a long time, please talk with someone you trust or your doctor. That is a kind and brave thing to do.

VII

A Final Wordjoy is not a betrayal

Beloved, I want you to know this:

Joy is not a betrayal of grief. It never was.

Hathor stood under the sycamore tree and held out water to the weary dead. And she was the goddess of music and dancing and love. She held both, for thousands of years, and the Egyptians loved her for it.

When the sun himself turned his face away and refused to go on, she came and made him laugh, and the world began to move again.

You have carried so much, for so long. You may have forgotten what it feels like to be delighted. That does not mean delight is gone. It means it has been waiting, patiently, for you to have room for it again.

Shake the rattle. Play the song. Dance badly in the kitchen. Look in the mirror and smile at the person you see.

The ones you have lost would want you to laugh again. So does she.

Let the Golden One make you laugh, beloved. Let your world begin to move again.

With love and gold-dusted, dancing hands,
the one writing to you,
and the one who is also you,
and the one who is learning,
slowly, to laugh again.

Back to the Divine Feminine

Full & New Moon

Letters from the Sanctuary

A quiet note arrives every full and new moon. Slow practice, seasonal poetry, and the occasional invitation to something tender being made by hand or curated by heart.